When you go to you will immediately see the card that has been assigned to you. If you don’t have a deck, then use an online tool, such as the website. If you have a deck, then pull one card randomly from it. Step 4: Select the Oblique Strategies card that will serve as your guide.
#BRIAN ENO OBLIQUE STRATEGIES ONLINE LICENSE#
Many should have a Creative Commons license stating such, and if you’re not sure just check with the responsible Junto participant. Step 3: When choosing, per Step 2, a pre-existing track, confirm the track is available for creative reuse. All three of these previous projects involve field recordings made of the sound one minute past midnight: Select a track from one of the three previous projects in this series, #0160 from January 22, 2015, #0163 from February 12, 2015, and #0170 from April 2, 2015. You’ll be reworking a pre-existing audio track based on the instructions inherent in a specific Oblique Strategies card. If you are unfamiliar with the cards, you might want to read up on them a little. First published commercially in 1975, and revised iteratively since then, the set consists of numerous gnomic instructions that are alternately direct and, well, oblique. Step 1: The primary goal of this project is to explore the inspiration provided by Brian Eno and Peter Schmidt’s Oblique Strategies cards. The steps for this project are as follows:
Collectively these nocturnal endeavors are being called “One Minute Past Midnight.”No one’s work will be repurposed without their permission, and it’s appreciated if you post your track with a Creative Commons license that allows for non-commercial reuse, reworking, and sharing.
#BRIAN ENO OBLIQUE STRATEGIES ONLINE SERIES#
This project is the fourth in an ongoing occasional series that focus on late-night ambience. The koan-like instructions of the Oblique Strategies set were a huge influence on the original planning for the Disquiet Junto series, and so it’s odd that it’s taken 171 weeks to finally address it directly with this homage. I hadn’t intended to do another “One Minute Past Midnight” project so soon after the previous one, but this week’s project was inspired by the recent and very interesting Cities and Memory: Oblique Strategies project (), in which more than 60 musicians and artists from almost 20 countries around the world took the classic card set by Brian Eno and Peter Schmidt as their guide.
Rework a pre-existing field recording in response to an Oblique Strategies card. These are the instructions that went out to the group’s email list (at /disquiet-junto): This assignment was made in the late afternoon, California time, on Thursday, April 9, 2015, with a deadline of 11:59pm wherever you are on Monday, April 13, 2015. Tracks will be added to this set for the duration of the project: Membership in the Junto is open: just join and participate. Each Thursday in the Disquiet Junto group on and at, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment.
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